Showing posts with label knights. Show all posts
Showing posts with label knights. Show all posts

Thursday, December 5, 2013

“The Middle Ages are Europe’s common heritage”

Switzerland recreations strive for accuracy. 

“Everyone has probably pretended to be a knight when they were little,” the article says. Some people never grew up. 

+

Historical recreations began in Switzerland in the 1980s as a way to bring in tourists, but soon associations were formed by people interested in learning about the Middle Ages in depth. It turned into a passion.

This article by the International Service of the Swiss Broadcasting Corporation describes how things started. And this 4-minute clip, with English dubbing, shows what’s happening now – serious fun.

+

Thursday, September 20, 2012

Welcome back

Book II continues. 


“Knights” by xkcd.

+

It’s good to be back after summer vacation.

Amadis of Gaul consists of four books, and between now and July 2013, the translation for Book II will be competed.

As you may recall, Book II began as Amadis won Firm Island with all its beauty and enchantments — then he received a letter from his beloved Oriana. In it, she called him a faithless liar and ordered him never to appear before her again.

Amadis retired to a solitary island and almost died of sorrow before Oriana realized her error and sent the Damsel of Denmark to rescue him. (Yes, a damsel rescued a knight in distress.) Using the name Beltenebros, he returned to Great Britain and secretly stayed with Oriana in her castle. Together, they won the magic sword and wreath of loyal lovers. As Beltenebros, he quickly earned great fame, most of all by being decisive in the battle between King Cildadan and Oriana’s father, King Lisuarte. At the height of the battle, Amadis revealed his true identity, to the terror of his opponents and the joy of Lisuarte’s other knights. After the victory, his injured brother Sir Galaor and King Cildadan were taken away by mysterious maidens.

Over the coming chapters, sorcerers will perform amazing magic. Amadis will face dire perils and win even greater honor. Then things will go horribly wrong.

If you’re new to this blog, you can find links to summaries of previous chapters in the left-hand column, along with other items of interest.

Without further ado, we shall return to the Middle Ages and this centuries-old novel full of admirable deeds outside the order of nature.
+

Thursday, May 21, 2009

The Song of El Cid

How a fragile text turned a real medieval Spanish knight into a myth.

[Monument erected to the Cid in Burgos, Spain, in 1955, sculpted by Juan Cristóbal González Quesada.]

+

Amadis may have been the greatest fictional knight in the world, but El Cid is Spain's most famous real knight — mostly because he, too, was immortalized in a literary masterpiece, The Song of El Cid.

The original manuscript of the 148-page epic rests in Spain's National Library in Madrid in a climate-controlled triple-locked safe. The goatskin parchment has been nibbled by insects and warped by time. The first three pages and two interior pages are missing, and others are torn, stained, or full of holes. The binding is cracked and falling apart, and, because the manuscript was treated with gallic acid in the 18th century to darken the rusting iron-based ink, the chemicals are eating away what remains of the pages.

Still, it's a treasure, the most complete text of its kind, and Spain's first great literary work.

The poem, in medieval Castilian, was probably composed around 1110 or 1140 by troubadours, though the details are subject to debate. It was apparently written down by Per Abbat in 1207, a cleric and scribe, who had heard it sung, although some scholars speculate that he actually composed it. A century later, the pages were bound into a book.

In the 1500s, the book was in the archives of the city of Vivar, and later it passed through a series of private owners before being purchased by the National Library in 1960.

Who was El Cid? Rodrigo Díaz de Vivar was born in Vivar, near Burgos, in about 1043, the son of minor nobility. As expected of a boy of his time and place, he became a knight. The Reconquest was a time of constant warfare in Spain: Christian and Moorish kings fought each other and among themselves, and a professional man-at-arms found mercenary work where he could.

Rodrigo originally served King Sancho IV and then his successor, King Alfonso VI, whom he had once defeated in battle. Perhaps because of that, he eventually lost Alfonso's support and was exiled in 1081. He wandered through Spain looking for work, and came to fight for the Moorish King al-Muqtadir of Zaragoza. It was there, due to his valor and success in battle, that he got the title of "El Cid" or "The Greatest."

As the fortunes of war changed, sometimes El Cid acted as an ally of King Alfonso despite their quarrels, and sometimes he fought against Alfonso's supporters.

El Cid conquered Valencia from the Moors in 1089 and reigned as lord of the city until his death in 1099. It fell to the Moors again in 1101, but his wife took his remains to be interred in the San Pedro de Cardeña Monastery in near Burgos, and they were taken in 1842 to the Burgos cathedral.

It had been an exciting life, full of deeds, intrigues, and conquests, and soon it was sung by troubadours as they traveled from town to town. The epic centers on the rocky relationship between El Cid and King Alfonso, and it turned the knight into a myth.

Regardless of why it's written, the meaning of a literary work changes with time. Some historians say El Cid acquired his mythical dimensions only after 1898, when Spain lost the last of its empire and its imperial identity. Promotion of The Song of El Cid became a means to re-establish a Castilian hero as the essence of Spanish culture, to the detriment, some critics say, of other regions of Spain — but Spain wouldn't be Spain without controversy.

In any case, The Song of El Cid characterizes Rodrigo Díaz as heroic and idealized, but with a distinct personality. He emerges as a pragmatic man who shows great tenderness toward his family. The work is realistic, unlike similar contemporary works from elsewhere in Europe: no dragons, sorcerers, magic weapons, or supernatural events.

There's even a little humor, a another common element in Spanish literature across the centuries, often with an ironic bite. El Cid is idealized, but not his society.

Just like Shakespeare's Hamlet in English, The Song of El Cid remains popular today, especially in Spain. You can read children's editions and scholarly critiques, watch television documentaries, enjoy spin-off literature — and of course get a DVD of the 1961 movie staring Charlton Heston and Sophia Loren, which diverges significantly from both the poem and history.

You can also see a scan of the manuscript online, read more modern versions, and consult scholarly works (in Spanish) courtesy of the Biblioteca Nacional de España:
http://www.cervantesvirtual.com/bib_obra/Cid/
+

Thursday, March 12, 2009

Knights never traveled alone

[A knight removing his hauberk, from the Morgan Bible, a medieval picture Bible, created in France in the mid-1200s.]

+

The word knight comes from the Old English word for "adolescent" because a boy would be knighted at about age 20. Chivalry comes from the word "horse." That's because a knight's horse distinguishes him from a common foot soldier and proves that he is a professional warrior. The knight also needed heavy weapons and armor, so battle horses were enormous, costly animals.

A proper knight also had a squire or shield-bearer, who was often a knight-in-training, along with up to a half-dozen other attendants to care for the horses and arms, guard prisoners, and help him get up onto the war horse, no small feat while clad in heavy iron armor. We rarely see them in Amadis, since servants in general are invisible in this work, and since the original audience knew what was going on in the background.

All this material and manpower was expensive. If money or even in-kind payments existed in Amadis, a lot of it would change hands. Knights in real medieval times maintained themselves by taxing land granted for their service and by holding captives for ransom.

In reality, knights were professional fighters, elite warriors who served a king or lord in exchange for fiefdoms or financial support. Training began as boys and was limited to nobles. The religious vow dignified their status beyond that of mere hired sword. Or it was supposed to. History tells us that some knights were better than others.
+

Thursday, March 5, 2009

Double-O Dudley Do-Right


[Glazed paving block, 13th to 15th century, from the Musée d'Art et d'Archéologie de Laon, in Picardy, northern France.]

+

The knight-errant Amadis is sort of a combination of Dudley Do-Right and James Bond. Like Dudley Do-Right, the cartoon Canadian Mountie, he is a "lonely defender of justice and fair play: handsome, brave, daring," who always does right and always gets his man. But like Bond, James Bond, he has a license to kill. And he has a magic lance to help him do it.

Amadis is a super-hero as well as a paragon knight.

But what were real knights supposed to do? In medieval Iberia, royal courts encouraged tales like Amadis as a means to instill good behavior among their knights.

Spanish author Ramon Llull, in the 1283 manual Book on the Order of Knighthood, says:

"The knight must ride, joust, fight, bear arms, take part in tournaments, participate in round tables, fight with swords; hunt deer, bears, wild boars, lions; and do all the other things like this that are part of the office of knight, since by all these things knights become adept at deeds of arms and maintaining the order of chivalry....

"The knight must hesitate more before the vituperation of the people than before death; and shame must cause more suffering to his spirit than hunger, thirst, heat, cold, or other discomfort or physical effort.... Chivalry... commences with justice and by protecting humble men against the prideful and unjust."

Knights pledged before God to protect the weak, defenseless, and helpless, and fight for the general welfare of all. Or at least they were supposed to. Ye have heard tell of evil knights from the beginning of this novel.

Amadis shows us a shining example of chivalry: loyal, obedient, humble, chaste, pious, and ever willing to do justice and protect the weak. Evil-doers must die, and he's the man to take them out.
+